Built for every department on the deck.

A rigger's shift and a follow-spot op's shift look nothing alike. Here's what RogerDeck replaces for each department.

Audio

FOH to monitor world, without shouting across the deck.

  • Replaces hand signals and running cable to talk to monitor world
  • A dedicated channel instead of yelling over the mix
  • Hold to talk, then both hands are back on the board
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Lighting

Cue calls and follow-spot coordination that don't depend on sightlines.

  • Calling cues to board and follow-spot ops on one channel
  • Works in a blackout, when a hand signal can't
  • Private from the house. Nobody on a shared frequency hears your calls
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Rigging

Spotter-to-operator calls during load-in and load-out.

  • A clear channel for what's moving overhead, before it moves
  • Hold to talk with one thumb
  • The spotter and the operator on the same live channel
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Stage

SM-to-ASM backstage coordination and calling the show.

  • Backstage-to-FOH handoffs on their own channel
  • Calling the show without keying a frequency the house shares
  • A headcount shows how many are on the channel before you call
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Coming soon

  • Hands-free with "Hey Roger" on your shoulder speaker-mic.
  • ROGER on assigned tasks: your lead sends the job, and one tap tells them you've got it.

Running the whole show?

Production managers, stage managers and site leads often need every channel above. The channel picker switches between the ones they're on. Tell us about your production and we'll walk you through it.

Talk to us